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Street Photography Assignments

75 Reasons to Hit the Streets and Learn

Learn to train your eye and improve your timing in order to capture the decisive moment! Whether it’s due to social media or the introduction of great rangefinder-style digital cameras over a decade ago, street photography has experienced a remarkable resurgence in recent years. You can be roaming the...
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  • Print and eBook Bundle: $39.99
  • Print Book: $30
  • eBook: $23.99

The ebook is available now and the print book is available for Pre-order. The estimated ship date is December 15, 2020.
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Product ID: 2302309 SKU: 1220. Categories: , , , .

Valerie Jardin


204 pages




Soft Cover- without flaps





  • Table of Contents
  • Street Performers
  • Street Portraits
  • Street Portrait with a Story
  • Photographing the Back of People
  • The Timeless Subject
  • Gesture
  • Silhouettes
  • Sun Burst
  • Rim Light
  • Shadows
  • Shafts of Light
  • Golden Hour
  • Blue Hour
  • From Shadows into Light
  • Night Photography
  • Minimalist Approach in Urban Landscape
  • Minimalist Approach in the Natural Environment
  • Juxtapositions
  • Interconnections
  • Rain
  • Reflections
  • Double Exposures
  • Creative Filter
  • Creative Framing
  • Creative Focusing
  • Looking Up
  • Looking Down
  • Low Angle
  • Leading Lines
  • Negative Space
  • Creating Tension
  • Centering
  • Letting the Subject Come at You
  • Go Fishing
  • Staging with a Billboard
  • Eye Contact
  • Sense of Place
  • Using Signage
  • Humor
  • Looking In
  • Looking Out
  • Public Transportation
  • Train Station Platforms
  • Panning
  • Slow Shutter Speed
  • Camera Movement
  • Abstract
  • Humanity Without People in the Frame
  • Eye Contact
  • Rule of Thirds
  • Centering Your Subject
  • Creative Self Portraits
  • Story in Multiple Frames
  • Themes
  • Hands
  • Feet
  • Umbrellas
  • Hats
  • Dogs
  • Lovers
  • Family
  • Readers
  • Bicyclists
  • Color

7 reviews for Street Photography Assignments

  • (verified owner)

    Like all books from Rocky Nook, this one is first rate. 72 assignments from shooting events to street portraits, environmental portraits with plenty of photos illustrating various techniques. This book will stimulate your creativity for a long time. Highly recommended.

  • (verified owner)

    This may be the perfect guide to help develop street photography skills. Each assignment covers a single technique or skill and is described in 1-3 pages, and describes why it matters, what obstacles you may run into, and helpful tips. Very clearly written and right to the point. Tackling one assignment every time you go out to shoot allows you to practice and build up skills in bite-size chunks.

  • (verified owner)

    Valérie’s new book could become THE textbook for street photography. If you’ve never had the good fortune to participate in one of her workshops, do yourself a favor and get this book … it’s pure Valérie. I’ve attended a few of her workshops and this book brought me right back to those afternoons where she taught us great techniques to help us take our photos to the next level. Simple, clear and effective tips that focus your mind on what to be looking for and how to be ready when you see it. With each assignment, Valérie encourages you to stretch a bit, try something new and have fun. Great book for budding street photographers as well as those who’ve been hitting the streets for years. Very highly recommended … you won’t be disappointed.

  • (verified owner)

    A fantastic and very useful book for all the people that wants to start and enhance the street photography. Highly recommended.

  • Gotta love a photographer who “lives and breathes in pixels“! The author organizes the book by giving us 75 street photography assignments, which I love. Not only does it give us practical experience, it’s a good way to organize the different skills and goals: by assignment. She even suggests that we can choose the assignments randomly. Even better: we don’t need to read the book in any particular order. We can, instead, prioritize the assignments by our desires.

    She urges us to not be merely photographers, but to be storytellers. Along that line, she says our vision of what we want to shoot is what will distinguish us from other photographers. Early in the book she suggests that we try photographing street performers and this is an excellent idea. As she says, they are easy to photograph since they don’t move out of the space, and generally don’t have a objections to being photographed. She does kindly suggest that we tip them, and I agree:)

    Her chapter on photographing children is also useful. She suggest that we think about the culture we are in because, for example, the French are not open to an unknown photographer snapping their kids. And she wisely points out that, even if you have the law on your side, it’s not a good idea to photograph somebody’s kids if they don’t want you to! I love when photographers, in their books, give us the settings for the photographs they use for illustrative purposes. It’s more helpful than one would think. This author does not disappoint: she gives settings for each photograph.

    Jardin carefully advises us never to confront anyone we are photographing, and to back off if they confront us. For example, in order to gain eye contact she suggests not drawing attention to yourself but instead waiting until it happens naturally. Good advice, I’d say!

    Interesting that in her chapter on bokeh, the author reminds us that, although bokeh can be beautiful and should be considered in some shots, it’s also important to have in-focus context for street photography. Her assignment on shooting from a low angle is yet another fun concept and one I am eager to try. She suggests sitting on the ground and/or putting your camera on the ground to get a different perspective. The photo she uses to illustrate this assignment make me want to try it right away

    This book is fun to read and so useful! I know I will be referring to it again and again as I go out to shoot in public. I love the idea of assignments, because it lets us concentrate on one aspect of street photography at a time instead of being too distracted. Great book!

  • (verified owner)

    Valerie rocks again! This book is very interesting. Like the others is not heavy at all. You can “feel” her passion trough the pages. It is simple but at the same time you can find in it a lot of interesting contents and advices at every pages. You can read it all, but you can use it like a Street Photography guide to find a challenge or some inspiration. Like a lot of people say it is much much better to go out with a purpose than just with camera in one hand. Great work one more time!!

  • (verified owner)

    I am contemplating the ‘street’ as the next genre to try out. I read other books on the subject, studied the work of some well known street photographers. However starting and learning about the unique characteristics of the street and educating myself on the sensibilities associated with it is hard. This is where this book fills a gap very successfully. With defined ‘assignments’ and the context around each, Valerie teaches how to learn to ‘walk the street’. As I practice each assignment some of what I have read about the subject previously starts sinking in; it starts to make sense. So this is an invaluable workshop between covers. Each assignment teaches something key. I believe the sum total, when I get to the end, will be far bigger that the sum of each.
    An observation to Rocky Nook – I think the approach that Valerie has taken in this book can also be applied to other genre. I am an abstract photographer whose subject is the landscape. I wonder if some of your other authors, e.g. Guy Tal, may contemplate this method of teaching…

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